Working primarily in ceramics, Grace Potter makes intricate sculptures that consider her relationship to the more-than-human world through the lenses of ecology and spiritual inquiry. Her work often references sites of reverence: reliquaries, mausoleums and cathedrals, as a tool for investigating hierarchies and value systems. Animals, plants and fungi depicted in the work carry metaphors for personal narratives as well as archetypal myths. She approaches making as a ritual, illuminating the mystical in the mundane and venerating the subjects of her sculptures through time-consuming processes and meticulous craft. Accumulated textures and patterns generate surreal compositions, reflecting the disorienting complexity of the natural world and her temporal place within it. Themes of interconnection, transformation and cycles of life and death guide her practice.
Grace (b. 1996, Knoxville, TN) is a visual artist who grew up in rural Appalachia. She received her BFA in Ceramics with minors in Art History and Anthropology from the University of Colorado, Boulder. Grace has completed two Post-Baccalaureates in Ceramics, one at Louisiana State University and the other at the University of Oklahoma. Grace has spent time working at the Mendocino Art Center, Cider Creek Collective in Albion, CA, Salmon Creek Farm in Albion, CA, Good Hope Pottery in Trelawny, Jamaica, and IaRex l’Atelier in St. Raphael, France. She is currently living and working in Mendocino, CA.